1/1 is the soundtrack to Jeremy Phillips’ directorial debut, due to be released 17 July 2018. Starring Lindsey Shaw (Pretty Little Liars), Judd Nelson (Breakfast Club, St Elmo’s Fire) and Dendrie Taylor (Star Trek Generations, Twins), the film submerges the viewer into the mind of Lissa, a 20-year-old girl in rural Pennsylvania and her struggles with sex, drugs, love and loss. Liars have created an electronic soundtrack that reflects the film’s use of mixed media abstractions and multi-film formats, which undoubtedly stands up as an album in its own right.

Created soon after Liars’ 2014 album Mess, these are the last recordings by Angus Andrew and Aaron Hemphill before Hemphill amicably left the band. In 2017 Angus Andrew released TFCF, Liars’ eighth studio album and Aaron Hemphill has just released Nonpareils’ Scented Pictures, his debut solo album – both albums are out on Mute, Andrew and Hemphill’s label since Liars’ debut, They Threw Us All In A Trench And Stuck A Monument On Top.

Angus Andrew and Aaron Hemphill were given the script for 1/1 and, after reading it on a flight from LA to NY, immediately decided to take it on. “It was very heavy, it was very intense and by the time we got to New York, we’d read it. At that point, we hadn’t seen anything but we were on board just from reading the script.” explains Angus. The result is a fractured, emotional response to characters within the film. Without using visual cues that might allow the music to simply mirror emotion, Liars have delved deeper into the reality of some of the more complicated themes of 1/1.

Phillips has described the film as very much a joint production between all of the artists involved (he himself found specific inspiration in Liars’ single ‘No. 1 Against The Rush’) and some of the film was edited to work with the music, an unusual technique. The director explains, “I view this movie as ours, and that goes for everyone involved in the production. I wanted there to be give and take between everyone working on it.” This is particularly evident as the film was actually changed in some sections to adapt to the music.

Phillips goes on to say that “The music, how it functions in the film, is really the access point to the main character’s thoughts/feelings. It's a coming-of-age story, she’s very distant and the music guides you through the emotions, as both she and the visual language of the film keep maturing.”