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Arrow (Red, Grey Vinyl)

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The twenty-first century acceleration of culture is such that the mundane everyday increasingly seems to be spinning out of control. Amidst a warp and distortion of reality whereby alienating modes of contact interweave with intimidating power structures. Inhabiting the city thus quickly becomes no less than a constant battle for both time and space.

This is the landscape intrepidly explored on ‘Arrow’ - the London-based duo Gum Takes Tooth’s third album and first for Rocket Recordings. Searing and visceral yet suffused by melancholy and elegiac atmosphere, it’s also no less than a manifestation of the subconscious of the band themselves.

Forming in 2009, the duo of Brightmore and drummer Tom Fug quickly established a unique approach whereby drum-triggered electronics were manipulated to achieve a dynamic, rhythmically driven and flagrantly unclassifiable fury that flirted with both speaker-ripping psych-rock pyrotechnics and synapse-shredding acid house deliverance whilst stubbornly avoiding any of the trappings or clichés of either.

Forging their own distinct geometric trajectory through two albums in 2011’s ‘Silent Cenotaph’ and 2014’s ‘Mirrors Fold’, their polyrhythmic sleight-of-hand proved itself as much a strength as their unique take on vocal processing. Thus, the band mapped out a landscape in which the influences of Coil, Warp Records, The Knife and Lightning Bolt were alchemically transformed into an innovative and pulverising onslaught.

Yet ‘Arrow’, recorded by Wayne Adams at Bear Bites Horse studio in the capital, marks a new chapter for the band. The appropriately claustrophobic and intense repetition of ‘No Walls, No Air’ deals lyrically with London as an ‘entropic ouroboros’ - a city eating itself - whilst the doom-laden and cinematically monochrome ‘A Still Earth’ imagines a dystopian future devoid of humans and entirely populated by self-perpetuating industry.

“The Arrow’ is so called because it flies in a straight line or arc but it never repeats its structure, or goes back on itself” - and thus, a singularly appropriate metaphor for Gum Takes Tooth themselves. Mavericks to the last, perpetual square-pegs and a band intent on forging onward to break all or any paradigms before them, creating a collection of kinetic anthems to battle everyday oppression - a work of machine-driven mania with its very human heart on its sleeve.

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