TRASH KIT have a wild feel for melody, writing songs that pull at the reins with a spontaneous charm. Having formed the band in 2009, Rachel Aggs, Rachel Horwood and Ros Murray have since become the glowing core of London’s DIY underground. Their music is primal yet thoughtful, affirming yet sincere, drawing on the potential of post-punk and the naturalism of an internal folk music.

Although Trash Kit have their forebears in bands like X-Ray Spex, The Ex and The Raincoats, their sound is very much their own take on facing forwards. Galloping polyrhythms, overlapping sung-spoke lyrics and entwining guitars are all drawn together into a taut unity, sounding willfully alive. Both Rachels tangle their vocals with each other whilst expressive drumbeats and restless guitar flurries provide the rhythmic drive. Aggs’ guitar playing is as much informed by African fingerstyle patterns as the percussive attitude of various no wave shredders. Horwood approaches her drumkit with an untamable freedom, pushing it into the realm of a vivid lead instrument. Trash Kit's music is full of pauses, woven silence and punctuation too and this is where Ros Murray and her resonant, soulful bass work finds a perfect home.

‘Confidence’ is a robust album with several themes at its heart that keep reappearing. Lyrically the tracks deal with identity, miscommunication, the passing of time and listening closer. Trash Kit are unmatched at making the personal poetic and vice versa, they never become overwrought, they just keep things honest and follow their natural course. Overall a feeling that you must run with the moment and trust in yourself emerges, echoed brilliantly through the instrumentation.