Error Subcutáneo are Mauro Ferreiro (electronics) and Gonzalo Frómeta (drums). Born under the sweltering sun of Santo Domingo, Dominican Republic, their music portrays the colder, more urban side of life in the Caribbean, where cacophonous violence and Cold War monoliths collide with dreams of a better tomorrow. The duo take elements of hip-hop, modular electronics, island syncretism, and bebop to twist and distort contemporary narratives on music composition, representing the greater movement of Latin American resistance directly from its epicentre.

The tracks on Temporada Ciclónica fracture and scatter, synths detuned at will, the clatter of drums powering through the destabilised structures of the individual pieces. Gilles Peterson's well known love of the more avant-garde edges of jazz have made him an admirer of the duo and it's not hard to ascertain why. Their collaboration with fellow DR artist Rita Indiana on 'El Perseguidor' displays her authoritative voice as the dialogue between chaos and focus. Confusion, free jazz rage, discord and an overarching sense of threat colour this record.