Hypnotic polyrhythms play a central role on Fera, creating the pulse for a sound that’s rich in acoustic tonality and lively energy. Louca uses custom-made, microtonal guitars to explore nuanced phrasings, and his languid interplay with violin, synthesizer, and other instruments lead to moments of vivid beauty. This wild and adventurous album that Egyptian artist Maurice Louca wrote over a four-year period takes its title from the Latin root for the word feral, and has its origins in a solo set that Louca first developed in 2019; the compositions eventually took their final shape when he recorded them in a Cairo studio in 2024 with a group of longtime collaborators and guests.

The violinist Ayman Asfour, percussionist and drummer Khaled Yassine, double bassist Rosa Brunello and co-producer Adham Zidan all play critical roles on the album, and they’re joined on two tracks by multi-instrumentalist Nancy Mounir (who plays violin and theremin on “El Taalab”) and oud virtuoso Hazem Shaheen (on “Sahar”). Fera is some of the most composed and thoughtfully-crafted music Louca has ever made, but of course it’s guided by the dynamic experimentation and collaborative spark that have become central to his work.

Fera’s artwork was created by another long-time collaborator, visual artist Maha Maamoun, using the Decalcomania ink transfer technique, to create dreamlike natural forms that emerge through both deliberate manipulation and chance. Residue elements photographed from 6,000-year-old rock art paintings found at the Cave of Swimmers in Gilf Kebir (an area on the Egypt-Libya border) can be seen in the Fera “painting”, which was digitally manipulated for color and other effects along with original typography and graphic design in collaboration with multidisciplinary artist and designer Hussein Nassereddine.

A1. Polaris
A2. Ghab
A3. El Taalab
A4. Tanamor
A5. Lawendi
B1. Sahar
B2. Trembler II
B3. Barboun
B4. Barīy (Fera)