Baldruin's debut on Buh Records, reaffirms his skill in creating a particular approach to ambient.

A combination of acoustic and electronic sounds, to produce true musical fantasies.

Relikte aus der Zukunft [Relics from the future] is a new album by experimental German artist Baldruin. Growing up in a small Bavarian village rectory around 10 meters beside the church and serving as an altar boy; organ music, church bells, and spiritual chanting were very much present in Johannes Schebler's ears during his childhood years. This experience was probably the basis for his ongoing interest in transcendental and mysterious atmospheres, he recalls. Schebler started making music as Baldruin back in 2009 with DIY experimentations which were first released on tape, a CD-R 3" and later on several LPs all over Europe (Ireland, Spain, Portugal, Poland, Finland, Netherlands, Slovakia), as well as in the USA and Japan.

While in the beginning Baldruin's tracks were mostly created with acoustic instruments, later synthesizers and other electronic sound sources joined, expanding the sound palette and letting primordial and futuristic worlds merge organically into each other. Although Relikte aus der Zukunft feels like a journey to the unknown, with constantly changing moods, all of the recordings were done in a small and improvised home studio in Schebler's living room in Wiesbaden, Germany, using mostly a single midi-keyboard for recording.

The tracks are full of color and amazement, detailed and thorough when evoking the setting and conjuring the experience. They can be playful and bright, or suspenseful and ominous, until bursting into ritual and hallucination. The gloomiest soundscapes can jump into a ship fueled by retro sci-fi arpeggios, the solemn can turn to rejoice, and a star can shrink into a fireplace.

Relikte aus der Zukunft is published by Buh Records in vinyl format in an edition of 300 copies. Mastered by Alberto Cendra at Garden Lab Audio. Cover art by Johannes Schebler.