Italian grandmasters of orchestral death metal Fleshgod Apocalypse are finding spontaneity rewarding on new album, Veleno. Over the past four albums – previous album, King (2016), floored fans and critics alike – the Francesco Paoli-led trio have planned every step, discussed every note, and ensured every salutation to Paganini, Bach, and Mozart was met with an equally brutal death metal equivalent. On Veleno, which is Italian for ‘venom,’ they needed a change of approach (and pace). To achieve this, Fleshgod Apocalypse distanced themselves from distraction – lineup changes, tours, and the frustrations of day-to-day life – unboxed the songwriting process, and let the inspiration flow freely.

Veleno is a paradigm shift for the Italians. Iit includes a multi-faceted lyrical concept, direct (and important) cultural ties to their home country, and a deeply symbolic cover painting by Travis Smith (Opeth, Overkill) form a splendid coda, the likes of which have yet to be experienced on a Fleshgod Apocalypse album.