Just as she takes up space in the male-dominated Baltimore–Washington metropolitan area punk scene, Sneaks aka Eva Moolchan takes up space among the patriarchy. Highway Hypnosis plays on hip-hop, post-punk, and invented words to fill a gap between the feminist underground and genre-specific singles charts. Through it, Moolchan joins the resistance forged by queer black feminists who create, explore, empower, conquer, and play bass.

Flashes of Robyn, Britney Spears, Jock Jams, Nirvana, recess hour on the blacktop, M.I.A., Lil Mama, a hacky sack circle, Aaliyah, and your first Warped Tour experience somehow all make sense inside the mind attached to ears experiencing Highway Hypnosis.

A1. Highway Hypnosis
A2. The Way It Goes
A3. Ecstasy
A4. Suck It Like A Whistle
A5. Addis
A6. Saiditzoneza
B1. Money Don’t Grow On Trees
B2. Cinnamon
B3. Holy Cow Never Saw A Girl Like Her
B4. Beliefs
B5. And We're Off
B6. A Lil Close
B7. Hong Kong To Amsterdam